About the Press

History & Mission 

The Thomas More College Press was established in 2016, on the 500th anniversary of the publication of St. Thomas More’s Utopia.

The purpose of Thomas More College Press is to assist those who still seek the true, the good, and the beautiful through the printing of new and newly rediscovered works.

The Press will focus on several particular areas:

  • The Catholic Intellectual Tradition
  • Catholicism of the British Isles                              
  • Neglected Classics of the Western Political Tradition
  • The Culture and History of New England

We recall the rich world of Catholic humanism, which took a broad interest in all things that touched upon man’s life, actions, and could lead to his happiness. Catholic humanism was animated by a deep commitment to the unity of faith and reason.

Humanism was the intellectual movement, or better, scholarly disposition that emerged in the late middle ages, in part springing from a long mature meditation on Scripture and the theology of the Incarnation, in part springing from the rich revival of classical learning that occurred as the careful production and study of Latin texts were complimented by the reintroduction of Greek originals. In some sense, Humanism can be described at a deeply Christian exploration of the famous words of the old Roman playwright, Terence:

Homo sum: humani nihil a me alienum puto.
I am a human being: and I deem nothing pertaining to humanity is foreign to me.
—Heauton Timorumenos, or The Self-Tormentor

The humanists fell in love with Greek, and in general took an interest in all languages—ancient and modern, eastern and western; they variously embraced ancient philosophers and naturally worked toward reconciling all these things to Christ. They restored the place of history and literature to the curriculum of general education, and placed a heightened value on music, art, architecture, and natural science.

As a humanist, Thomas More too fell in love with and mastered ancient languages, he saw learning as a diverse and life-long project rooted in the study of Greek and Latin texts, and he thrilled with an amateur’s zeal at the exotic discoveries in natural science and explorations of Africa and the New World. In addition to housing one of the best libraries in England, More’s homes were veritable menageries of odd artefacts, old coins, shells, plants, and living creatures from all over the world. St. Thomas More’s pet monkey even made it into the original version of the family portrait painted by Hans Holbein. Yet for all his wide-ranging interests, St. Thomas More remained grounded in the reality of his own beloved corner of England. Thomas More College Press holds up St. Thomas More as its patron—a scholar who was engaged in the vast debates of his civilization, while remaining attentive to his own home.

Like the Catholic humanists of the past, the directors of Thomas More College Press see learning as nourished by both an affection for the local and an engagement with broader intellectual and cultural traditions. .